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Consultancy Agency and Workshop for Preservation, Conservation and Restoration of Books,
Archival Materials and Graphic Arts. Preservation Management for Libraries and Archives.
Diploma HICOREB. Accredited Conservator Restorer. Member of the Institute of Paper Conservation.
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Photographic materials.

Photographical materials are nowadays more and more integrated in library and archival collections. As photographic material we consider following media:

  • Photographs
  • Negatives and slides
  • Glass-plates
  • Microforms and microfilms
  • Moviefilm

The process of making photographs is mainly based on chemical processes which occur in an emulsion layer. For a better understanding of the processes, the components of photographic material should be known.

Photographs as we know them are mainly composed of 2 or 3 components. The basic components are:

  • A basematerial that acts as a support and which can be rigid or flexible.
    • Rigid supports were mainly used in former times and include glass and metals and exceptionally ivory, wood,
      etc...
    • Flexible materials include paper (which is opaque) and different transparant plastic materials such as nitrocellulose, cellulose-esters and polyester.

  • An emulsion layer which is a mix of a binder, such as gelatine, albumine or collodion (depending on the timeframe one considers) and imageforming elements of which the most common and bestknow are silverhalides.

  • Sometimes an intermediate layer between support and emulsion layer is used, which is smooth, white and not transparent. A musch used intermediate layer was barytapaper.


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The preservation of photographic materials is being influenced by the stability of the support and the emulsion layer. This stability is being affected by temperature, humidity, light, UV-radiation, chemical pollutants and even ordinary use. The emulsion layer is the most vulnerable of the two, although bad manipulation and exposure of the support can also lead to deterioration.

 
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